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The Daylight Atheist

Written by Tom Scott; directed by Colin McColl

Auckland Theatre Company, Auckland, New Zealand
7, 9, 10, 13, 15, 16, 18, 21, 23 February 2019
(presented in repertory with Tom Scott's Joan)

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Arts on Tour New Zealand Trust 20 July – 25 August 2020
Tour of 31 New Zealand towns and cities

REVIEWS



 
 

                      
CAST  
     CREATIVE
Danny Moffat
  Michael Hurst  
Director
  Colin McColl
     
Set Designer
  Rachael Walker
     
Lighting and Sound Designer
  Sean Lynch
     
Costume Designer
  Elizabeth Whiting


From the Director

Political commentator and cartoonist Tom Scott has traded the political for the personal as he delves into his past and the lives of both his parents in these brutally honest, fiercely funny and moving portraits of his mother and father.

From all accounts, they were both extraordinary individuals.  They transcended the disappointments and challenges of their unbringings, their immigration from Ireland to New Zealand and their tough lives in rural Manawatu with resilience, charm and an innate sense of humour.

Just as you might experience a play or a movie quite differently from the way the person sitting next to you is experiencing it, the idea of presenting thest two plays in tandem allows us to look at two people who shared the same experiences but relate them to others in quite different ways: telling both sides of one story.

In The Daylight Atheist, Danny Moffat (Tom's fictitious name for his father) feels more comfortable spinning a yarn to his mates at the pub then dealing with the demands of family life.  He's from the 'lost adolescence' generation who went to war to fight for freedom then resented that they lacked the very freedom they fought for.  He feels trapped by his situation: no money and an ever-increasing family.  Resentful of authority, he's smart and well-read.  But this is mid-century rural New Zealand. Mental health support is practically non-existent.  With no outlet for his depressive state, he turns to booze and vicious humour for self-protection (or to assuage the guilt he feels).  Danny is the life and soul of the party, but unable to deal with the reality of what life has dealt him.

It wasn't all bread and roses for Tom's Mum either.  Joan is a poignant and extremely funny love letter to a mother from an ungrateful son.  Joan is a tough and indomitable Cork woman whose gusto and wonderfully wicked sense of humour supported her and her family through hard times.

All power to Tom for sharing these stories so unflinchingly – in all their pain and humour.  And I'm thrilled that powerhouse actors Michael Hurst, Ginette McDonald and Kate McGill have taken on the challenge of these roles for our ASB Waterfront Theatre season.

We've had a great time bringing Tom Scott's Ma and Da to life.  I know you'll enjoy meeting them.














ARTS ON TOUR NEW ZEALAND 2020 TOUR









Reviews of The Daylight Atheist

2020 (Arts on Tour New Zealand Trust touring season)

Theatreview (Repertory House, Invercargill, 21 July 2020):  "a not-to-be-missed experience that teams exquisite writing with the immense talent that is Michael Hurst.  ... Immensely enjoyable, confronting, sad, brutal, yet somehow wildly funny"

Theatreview (The Regent Theatre, Dunedin, 28 July 2020):  "Hurst is ... a powerhouse of energy, extracting from Scott's lines every ounce of humour possible, but also every ounce of sweat and anguish.  ...You couldn't ask for a better re-interpreter than Hurst, with his aptitude for the whole range of emotions that animate Dan:  one who is a selfish, persistent and theatrical scumbag, but who is nevertheless able to convince us he is human after all".

Theatreview (Expressions Arts & Entertainment Centre, 7 August 2020):  "Upper Hutt has packed out the theatre ... to welcome and roundly applaud Michael Hurst ... Hurst's facility with accnts enriches the telling beautifully ... The Daylight Atheist offers a rich and engrossing experience"

2019 (Auckland Theatre Company season)

NZ Herald:  "a highly entertaining show ... sparkles with wit ... Michael Hurst nails the part with a bravado display of vividly animated story-telling.  His performance establishes a confessional tone that draws the audience into the harsh truths of a man who feels no need to conceal his nastiness.  It also succeeds in evoking the pathos of a profoundly tragic figure who wilfully rejects the sustenance which comes from normal human intimacy ... superb production".

Broadway World:  "Michael Hurst is simply capivating as Danny Moffat.  Hurst didn't show us the life of Danny Moffat, he took us with him, melding skills with charisma ... 'The Daylight Atheist' is a must-see".